BRIAN BOITANO, ‘SOUTH PARK’ SUPERHERO WITH A ‘HOLIDAY SKATING SPECTACULAR’

Skater "Brian Boitano" performs on the ice rink at Rockefeller Plaza. -- Photo by: Peter Kramer/NBC

Brian Boitano has won more pro figure skating titles than any other skater in the history of athletics.  He’s also been laboring at it for 22 years without any noticeable wear.

So how does he maintain the level of command and grace with one of the most demanding sports ?  “It’s hard,”  Boitano tells Entertainment Heartbeat, weighing the love of his work with the effort that its become.  “This is the best my body has been; It’s funny because I did The Today Show this morning and I was warming up really early in the morning and I’m like, you know what, I’ve really got to appreciate this moment because…this is the best my body’s felt in three years.  Three years ago I was really struggling and I had some injuries I was dealing with.  So it’s cyclical and it depends on the year and depends on how you take care of your body.  And my whole thing is really just taking care of my body and staying in shape all year around.”

Facing an age that often ushers the best athletes to the easy chair, Boitano has no signs of time on his face or the bounce in his famous legs.  But he does say that some events have taken their strain.  “I had a knee injury and I’ve had back stuff.  Yeah, the knee injury sidelined me for quite a while…It was interesting because I was trying a new trick, something that I wanted to accomplish but I’d never done before, it was sort of very simple but it taught me that I’m going to stick with what I do, I’m not going to try anything new, but maintaining what I have.”

Boitano will be hosting and performing a skating extravaganza this Sunday at Notre Dame University that includes brass-rock legend Chicago and the 500-piece Norte Dame Marching Band accompanying as he and his guests skate. 

Loyal fans come to expect the kind of high bar that Boitano set for the entire sport during his competition days, but he also must create new features that keep his shows new.  We asked the greatest skater of his generation how he rides the tightrope between the surpassing technique and his revised showmanship  “The one thing that you don’t want to do is alienate your core audience, and a lot of times people try to stretch and  get other audiences involved that will completely eliminate whatever was attractive in a certain situation to that core audience,” he says. “So you just have to juggle things, you have to do something for your core audience and then you do something to bridge out, like in this show since we filmed at Notre Dame, we did this whole football number, and Notre Dame actually gave us the uniforms of the Fighting Irish…and the bands played a collage of the fight songs of Notre Dame.  So, we’re trying to think outside of the box and appeal to a different audience and it was really a blast doing it.”

In 1995, Boitano heard about a gone-viral five minute video from friends at the studio, but he didn’t watch it, than four years later there was the South Park: Bigger, Longer and Uncut movie with a song about him titled What Would Brian Boitano Do? “I was scared to death…and I’m like, Oh my god, what did they do? And I listened to the CD and I thought that’s pretty nice, I like that, that’s OK.  So, If they’d been mean I wouldn’t have embraced it so much but also people probably wouldn’t have talked about it as much either.”

And today a superhero spoof of Boitano appears as a now and then character on South Park.

Boitano is also host of his own Food Network show, What Would Brian Boitano Make? (which also borrows that South Park movie song as its opening theme) where he prepares his own low calorie gourmet preparations.  “After I finished my Olympic training and I was such a restricted diet     I decided I wanted to eat like a normal human being, and I wanted to discover ways to prepare food like it was great restaurant food but without all the extra added calories, so I started testing recipes and keeping a notebook of recipes and it’s just been growing from there so about 25 years I’ve been doing this almost.”

“That show is so much fun, it takes five days to do one episode but it’s really fun and I just have a blast doing it, and I’m actually coming out with a cookbook this year called (as with his cooking show) What Would Brian Boitano Make?

Musselman’s Apple Sauce Presents Brian Boitano Skating Spectacular airs this Sunday, December 18, at 4 p.m. ET on NBC.

Guest stars include MICHAEL WEISS, RYAN BRADLEY, STEVEN COUSINS, CARYN KADAVY, ELENA LEONOVA & ANDREI KHVALKO, KIM NAVARRO & BRENT BOMMENTRE, and GEV MANOUKIAN.

 

 

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Robert Davi Delivers ‘Mistletoe and Holly’ for a Worthy Cause

Robert Davi has played numerous powerful roles on the big and small screen – from Franz Sanchez in License to Kill to Agent Baily Malone in The Pretender, but he’s also an accomplished singer with a list of albums to his credit.

Davi’s latest release is the classic Christmas song Mistletoe and Holly – and 100 percent of the proceeds from the sale of the tune will be donated to The Salvation Army’s 120th Annual Red Kettle Campaign.

Mistletoe and Holly is a Christmas classic, and I’m excited to release it in support of a classic charity during the Christmas season,” said Davi, who is a classically trained singer who studied a Julliard.

“Music has always been a big part of The Salvation Army, especially at Christmas, so partnering with a singer like Robert Davi is a great and natural fit,” said Major George Hood, national community relations and development secretary for The Salvation Army.  “Every dollar donated from the proceeds of the single will help us provide assistance to nearly 4 million people in need this Christmas season.”

The Salvation Army’s 120th annual Red Kettle Campaign runs through December 24th and helps raise money for the distribution of food, toys, coats, rental and utility assistance, and many other social services provided by The Salvation Army during the Christmas season and throughout the entire year.

Robert_Davi_-_Mistletoe_and_Holly.mp3_mastered

 

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‘NAPOLEON DYNAMITE’ SOUND-A-LIKE CONTEST

NAPOLEON DYNAMITE Join The Dynamite Family on FOX Sundays during ANIMATION DOMINATION when it premieres Sunday, Jan. 15 (8:30-9:00 PM ET/PT) on FOX. NAPOLEON DYNAMITE ™ and © 2011 TCFFC ALL RIGHTS RESERVED. © 2011 FOX BROADCASTING

To celebrate the series premiere of FOX’s new animated comedy the network will partner with a local radio station and KTTV to encourage fans to come down to the Hollywood and Highland complex to do their best Napoleon Dynamite character impressions.

The cast will be on hand to do interviews and judge the competition and the grand prize winner will receive their likeness drawn as a character from Napoleon Dynamite, photo op with the cast and cash prizes.

Everyone who participates will receive (and wear!!) a Freakin Sweet Napoleon t-shirt and passerby’s will be able to grab a free bite from the Tater Tot and Quesadilla food truck, Rex Kwon Do Demonstration, get creative at Deb’s Arts & Crafts station, and take a photo in front of a llama for electronic upload to facebook/twitter.

All this and more on Thursday, Jan. 5, 12:30-3:00 PM at the Los Angeles, Hollywood and Highland Complex 6801 Hollywood Boulevard Los Angeles, CA 90028

Jon Heder, Efren Ramirez, Tina Majorino, Aaron Ruell, Jon Gries, Diedrich Bader and Sandy Martin, are the original cast from the film who also voice their respective characters in the TV series.

 

 

 

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CHUCK LORRE ON CHARLIE SHEEN AND THAT “HEARTBREAKING” SEASON

Executive Producers Lee Aronsohn (2nd from left) and Chuck Lorre (far right) of the CBS comedy series "Two and a Half Men" visit actors William Petersen (second right) and David Berman (far leftt) on the set of CSI:CRIME SCENE INVESTIGATION. Photo: Monty Brinton/CBS. © 2008 CBS Broadcasting Inc., All Rights Reserved

Two and a Half Men producer Chuck Lorre sat down with TV Guide Magazine and spoke publicly for the first time about what really happened with Charlie Sheen:

On firing Charlie Sheen:
“The [studio and the network] chose to make a moral decision as opposed to a financial one. This was not a game. This was drug addiction writ large. This was big-time cocaine, and in his own words, an ‘epic drug run’ that could have ended with either his death or someone else’s.”

On giving Two and a Half Men an extreme makeover by bringing in a new star:
“I thought, why not find out if we can do it? If we failed, what have we failed at? Making a sitcom? Then it became exciting. We got to do something none of us ever dreamed of doing: We got to end a series and start a new series in 20 minutes.”

On referencing Charlie Sheen during this season of Two and a Half Men:
“To not deal with it felt like a cheat. The unbelievably public nature of this debacle is part of our legacy now. It happened, and the dividing line between Charlie Harper and Charlie Sheen is forever blurred.”

On how things spun out of control with Charlie Sheen:
“He was a great friend and partner for eight years. And every time he got himself into trouble, we believed that there was healing that was going to come. I certainly believed that sobriety is something that he wants in his life, and I was wrong.”

On trying to intervene:
“We intervened all the time. I was so afraid my friend was going to die. When we would shoot a show on a Friday night, there was always that ‘I’ll see you Monday. I hope.’ The holidays were the worst, because those long stretches of time were the ones we feared the most.”

On his decision to shut the show down:
“I didn’t want to be writing a sitcom while my friend died. Or worse, hurt someone else. We couldn’t be complacent. There was a tragedy unfolding right in front of us. There was violence and blackouts. On a certain level, if you’re looking the other way, you’re responsible.”

“You couldn’t do that much cocaine and work. It was falling apart. It was heartbreaking to be around here then.”

On being afraid that Charlie would retaliate against him:
“It’s a long road from being a sitcom writer to really recognizing that you might be in jeopardy. I was looking over my shoulder.”

On Charlie‘s personal attacks against him in the press, including making an issue out of Lorre‘s 13-year sobriety:
“That broke my heart, too. I thought we were on the same road together. I mean, we held hands and prayed when his sons were born premature. There’s that element of Charlie [that’s] admirable, and he was the kind of guy you wanted to hang out with. He was a special guy. But bottom line, special guys are not immune to drug addiction.”

On his feelings about Charlie today:
“Bottom line, I hope he’s happy, I hope he’s healthy. I hope he’s able to be there for his kids.”

“The man was my friend. I cared for him deeply. We had a great time. We succeeded beyond our wildest dreams. Sometimes I’ll watch the reruns and I’ll go, ‘That was worth watching.” I’m proud of what we did.

More from TV Guide Magazine on newsstands and at

 

www.tvguide.com.

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GLEE’S DONATION TO ‘BAND AID TRUST’ WITH BONO AND STING

"Bono" and "Sting" talk about the original track and the “GLEE” remake courtesy Tracey Raftery, Marissa Flores/Fox Publicity

Glee will donate 100% of the net monies from the sales of its version of
Band Aid’s 1984 hit “Do They Know It’s Christmas?” to The Band Aid Trust.

Bono and Sting talk about the original track and the Glee remake at http://bcov.me/015yatij.

The new Extraordinary Merry Christmas episode of Glee airs Tuesday, Dec. 13 (8:00-9:00 PM ET/PT) on FOX.

 

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AMY SMART TALKS ABOUT “12 DATES OF CHRISTMAS”

"12 Dates Of Christmas" ©ABC Family courtesy Holli Fisk and Kris White / ABC Publicity

"12 Dates Of Christmas" ©ABC Family courtesy ABC Publicity

Amy Smart in 12 Dates of Christmas on ABC Family, a Ground Hog Day-esque movie about a women who has several chances to relive the same romantic date until she discovers that the man of the disastrous first date may actually be the one she’s been searching for all along.

Smart talks to Entertainment Heartbeat about her role in the TV film, the significance of being in a Christmas movie that has the potential for being a holiday entertainment staple and what she does during the Christmas season.

12 Dates of Christmas co-starring Mark-Paul Gosselaar airs on Sunday, December 11 at 8 PM / 7 PM Central on ABC Family.

Click On video below to see (and hear) Amy Smart‘s interview with Entertainment Heartbeat.

 

 

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VIK SAHAY ON THE “CHUCK” REPRIEVE BY THEIR LOYAL FANS

CHUCK -- "Chuck vs. the Hack Off" Episode 505A -- Pictured: Vik Sahay as Lester Patel -- Photo by: Matt Kennedy/NBC

Few fans are more dedicated and loyal than those viewers who watch Chuck.  They may also be the most vocal since NBC decided not to pull Chuck off the air in mid-season after all.  The final episode on January 27 will actually be a two-hour extravaganza.

Entertainment Heartbeat talked to Chuck co-star Vik Sahay this morning about his renewed show.  “It’s better to have five seasons completed, story-wise, give it to the fans and kind of go out on our own terms.”

Sahay is happily surprised with the show’s viewers.  “I have never been a part of anything like this remotely, and I can’t imagine it ever happening again,” he says.  And it’s just a chemistry between the show and the fans…and they wouldn’t let it die; we’ve survived because of them for this long.  According to the kind of antiquated Nielsen rating system it shouldn’t be on the air, but they made damned sure that we were.”

On Chuck, Sahay plays Lester Patel, a, well, pathetic, angry computer-geek with a heart.  Sahay tells us that he likes to “prepare from the inside out,” and spent time with “some of these geek-squad types in Canada, where I’m from, and hung out with them and found this guy who just had that kind of rage and anger and…pathetic-ness about him and I started asking him some questions and started to feel that he was a needy, sad, broken boy, and I think that’s what Lester (Patel) is, he’s got this egg-shell persona that he puts on that is strutting and angry and what-not, but beneath that he’s just a guy who’s desperate to behugged, to be loved.  And if only he knew that if he just relaxed he could get that; you know, I have this whole backstory for him…his upbringing certainly didn’t teach him that.”

We discussed with Sahay what we might hope the end of Chuck might be, that his team at the Burbank Buy More become proficient CIA operatives and live in eternal bliss.  “Do you really want a guy like Lester on your spy team, I ask you that,” Sahay says seriously before forming a smile.

While Sahay will say nothing about how Chuck will finish, he does believe that the remaining shows are likely the best of their five seasons, including the one tonight that’s directed by star Zachary Levi.  “There were moments when, nothing even huge or explosive, just saying text back and forth with Scott (Krinsky) or whomever, and going ‘this is some of the best writing we’ve ever had on this show.”

There is a long acting life ahead of Sahay where he is booked solid well into the future.  The actor has just finished filming My Awkward Sexual Adventure, a romantic comedy where he plays a smooth ladies man, the inverse of his Lester character.  And then Sahay has a movie coming out this April titled American Reunion, that’s an American Pie sequel with the original characters that may be less romantic and more loudly comedic.

Although Sahay had to leave he did stay long enough to discuss his interest (passion) in early morning roadwork and sparring in the boxing ring.  “It’s mentally-awaking, and I really believe there’s a kinship, and this is getting a little, maybe hoity-toity between my actor artist thing and a boxer and the way that you train and the way I do research as an actor and the way I train as a boxer,” he says. “…getting up very early, you’re hitting the road, you’re doing the research, and then you’re accumulating the information, you come up with a strategy and when the bell rings or they call action you let it go and you’re on instinct and on impulse, and somehow those two worlds are similar, I feel the same of doing both.  It’s very important to me, it kind of clears the cobwebs, and it’s my time to reflect and think and feel and get into my body as it were.”

Chuck (and Sahay) will soldier on tonight on NBC at 8pm/7 Central.

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“We Need to Talk About Kevin” – ‘The Bad Seed’ For a New Generation

Tilda Swinton stars as a mother trying to cope with the reality that her son's not quite right.

Imagine the guilt you’d feel if you’d raised a mass murderer. That’s the premise of We Need to Talk About Kevin, starring Tilda Swinton, John C. Reilly and Ezra Miller.

The drama focuses on Eva Khatchadourian (Swinton) and her inability to calm her baby, connect with her son emotionally or to convince her husband Franklin (Reilly) that Kevin (played by Rock Duer, toddler, Jasper Newell, 6-8 years old, Ezra Miller, teenager) is diabolical.

Kevin is a disturbing film because the outcome is inevitable, but also because of the emotional destruction inflicted on a family that had no way of preventing the tragedy –  plus, it raises a question about nature vs. nurture.

The performances are all solid and that’s important. In fact, it’s a necessity with such an emotional onslaught of a storyline. Swinton must balance frustration, fear and guilt while the three actors portraying Kevin are all required to teeter between sinister and charming.

The flick fluctuates through the past and the present. It’s a bit confusing, which helps to add to an uneasy feeling throughout.

We Have to Talk About Kevin is out for a qualifying Oscar run and it’s fairly certain the actors will get the consideration due.

Review by Mari Cartel

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‘R.L. STINE’S THE HAUNTING HOUR: THE SERIES’ WITH DIFFERENT ENDINGS

"R.L. Stine's The Haunting Hour: The Series" Episode “Scarecrow” on The Hub TV network courtesy Michael Cilnis/B|W|R Public Relations

The Hub TV network will present two different endings of a single new episode of the award-winning original series R.L. Stine’s The Haunting Hour: The Series.

Both endings of the episode “Scarecrow,” guest-starring Bailee Madison (Don’t Be Afraid of the Dark), will be presented back-to-back.

In this rare instance kids of all ages can watch the same story with both the classic, creepy twist as well as a version where good triumphs over evil.

In this episode, a creepy scarecrow appears in a field where a young farmer’s daughter (Bailee Madison) and her brother (Richard Harmon, Tower Prep) begin to suspect that  it means to drive off more than just the crows and suddenly find themselves fighting for survival.

Following the second episode, viewers can visit www.hubworld.com/scarecrow to vote for their favorite ending of the Scarecrow episode.

The program will air on Saturday, December 10 (5 p.m. and 5:30 p.m. ET).

For more information about The Hub and to find the channel in your area, visit www.hubworld.com.

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ACADEMY REVISITS, EXAMINES “IT’S A WONDERFUL LIFE”

"It's A Wonderful Life" (1946) courtesy The Academy of Motion Picture Arts and Sciences®

The Academy of Motion Picture Arts and Sciences will examine the technology behind It’s a Wonderful Life at Los Angeles and New York City screenings on Friday, December 9, and Monday, December 12, respectively.

Hosted by Oscar®-winning visual effects supervisor Craig Barron and Oscar-winning sound designer Ben Burtt, the programs will explore studio production methods of the era, the use of matte paintings in key scenes, and the origins of the film’s sound effects. Both programs will begin at 7 p.m.

It’s a Wonderful Life (1946) is one of only two motion pictures produced by Liberty Films, the independent company Frank Capra and Samuel J. Briskin created in 1945.

Although the film performed only modestly at the box office when it was first released, it went on to earn five Oscar nominations, including Best Motion Picture, Best Actor (James Stewart), Directing (Capra), Film Editing (William Hornbeck) and Sound Recording (RKO Radio Studio Sound Department, John Aalberg, sound director).

The inventors of the snow machine that made its debut with the film won an Academy Technical Achievement Award in 1948. Synthetic snow replaced bleached cornflakes, the previous method of simulating falling snow in movies.

The Los Angeles screening of It’s a Wonderful Life will be held at the Academy‘s Linwood Dunn Theater and will present a newly struck print by the Academy Film Archive. Although advance tickets are sold out, a standby line will form on the day of the event, and standby numbers will be assigned starting at approximately 5:30 p.m.

Any available tickets will be distributed shortly before the program begins.  For more information, visit www.oscars.org or call (310) 247-3600.

The New York screening will be held at the Academy Theater in New York City.  Doors open at the Academy Theater in NYC at 6:30 p.m.  For more information, visit www.oscars.org or call (212) 821-9251.

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